![]() ![]() 1–5, 1963–68 still incomplete), whose plan is to reveal the social, political, and spiritual biography of several generations of Croats. He is publishing a multivolume epic novel, The Banners (vols. The lampoon-novel Banquet in Blitva (books 1–2, 1938–39 book 3, 1962) was one of the first major antifascist works in Croatian literature.Īfter Yugoslavia’s liberation from fascist occupation, Krleža began to appear in print as a journalist. The Ballads ofPetrica Kerempuh (1936), which can be traced to folklore, records the national protest against tyranny. The novels The Return of Filip Latinovic (1932) and At the Edge of Reason (1938) contain harsh criticism of capitalism and of its morality and culture. In the late 1920’s and the 1930’s, Krleza created realistic works of keen social awareness (In Agony, 1928 The Glembaj Family, 1928 and Leda, 1932), which formed the widely known dramatic trilogy The Glembaj Family, reflecting the contradictions in Croatian bourgeois society. Zakljuiti moemo da je Krlea svojim kljunim djelima, romanom Povratak Filipa Latinovicza i dramom Gospoda Glembajevi, dao otru kritiku suvremenoga Zagreba, nemonih i introspektivnih intelektualaca koji se ne mogu odlijepiti od svoje podloge i nagona koji ih ivotno oblikuju unato svim njihovim nastojanjima. His understanding of the revolutionary upheavals connected with the Great October Socialist Revolution in Russia sharpened his social sensitivity and made him critical of avantgarde excesses. In this period Krleza’s artistic principles were close to expressionism. A presentiment of revolutionary changes and the ripening protest of the people is particularly clearly expressed in his journalistic career and his dramas Christopher Columbus (1918) and Golgotha (1922). Kratki sadraj djela: nakon 23 godine izbivanja Filip dolazi na kaptolski kolodvor. Roman predstavlja nastavak Krleina kompleksnog ciklusa o Glembajevima. The drama of the Croatian people, forced to fight for foreign interests, is portrayed in Krleza’s early works-the collections Poems (1918–19) and Lyric Poems (1919), the collections of short stories The Croatian God Mars (1922) and A Thousand and One Deaths (1933), and the plays Galicia (1922 second version, In The Camp, 1934) and Vudjak (1923)-which are mainly associated with the theme of World War I (in which he served in the Austro-Hungarian Army). Povratak Filipa Latinovicza prvi je cjeloviti hrvatski moderni roman,a Krlea ga je napisao tijekom veljae 1932. ![]() Graduated from the military academy in Budapest. Croatian writer vice-president of the Yugoslav Academy of Science and Art (since 1945). ![]()
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